“What happens if the performer gets hard?” It’s New Year’s Day and as part of my annual tradition I’m at the Royal Academy, this time seeing the Marina Abramović retrospective. The main attraction — whether people have the guts to admit it or not — is walking through the threshold created by two naked performers, standing in such close proximity that there’s no way through without some contact. Writer Norman Night is posing the real questions before we cross over. “Is he excused for five minutes?”
Give Me Danger
Give Me Danger
Give Me Danger
“What happens if the performer gets hard?” It’s New Year’s Day and as part of my annual tradition I’m at the Royal Academy, this time seeing the Marina Abramović retrospective. The main attraction — whether people have the guts to admit it or not — is walking through the threshold created by two naked performers, standing in such close proximity that there’s no way through without some contact. Writer Norman Night is posing the real questions before we cross over. “Is he excused for five minutes?”